高分 紧急!!关于人工智能的,请帮我翻译下!中译英,拜托了!!翻译的好会加分!

影片的层次主要分为三层:大卫被抛弃以前——大卫被抛弃后——大卫与莫妮卡的最后一天。每一层的顺接的很自然。从内容上看,第一层,莫妮卡因为受不了失去爱子的悲痛,启动了大卫;第二层,大卫执着地希望找到蓝仙女,能将自己变成真人,换回莫妮卡的爱;第三层,千年后,在新人类的帮助下,大卫终于和莫妮卡在一起了。故事鲜明的层次,轻而易举的控制了观众的情绪,快乐——悲伤——担忧——感动,。从视角来看,由小到大,第一层,视角局限在家中;第二层,则扩展到人与机器的社会矛盾;第三层,从一千年以后俯瞰过去的角度,来审视故事。导演将简洁但却完整的叙事紧密的缝合其间,丝丝入扣,既保证了以“滚雪球”的方式故事由个别到集体的推进、冲突由小到大积攒,也成功的营造出情绪上的一张一弛,起伏跌宕。
即使是剪辑,也是带有情绪的。而这种情绪如果能与故事的情绪相吻合,那就依赖剪辑师和导演的高超水平以及默契配合了。当莫妮卡和大卫还处在适应期,还没有启动他爱的程序的时候,莫妮卡是怀疑的,陌生的,在她内心深处有一种抵触与渴望强烈的撞击着,挣扎着。她无法面对亲儿子身体每况愈下,无法面对失去儿子的孤独,却又无法接受将感情灌注到没有血没有肉的机器身上,尽管这个机器是如此惟妙惟肖。配合这种奇异的气氛,镜头穿透玻璃门,画面变形扭曲,人们的脸变得恐怖、不自然,借以表达莫妮卡此时心中对机器的恐惧。还有泡咖啡时,器具碰撞部分声音的加重,大卫诧异的眼神的特写,莫妮卡尴尬的笑,镜头于是拉到楼梯,以少见的角度,突出莫妮卡不知所措背过去的动作。在铺床的时候,总共只用了三个镜头,前两个分别是对两人单独特写,有趣的是,镜头中,人物除了眼神的变化,没有任何肢体动作。第三个镜头随着莫妮卡移动而移动,刻画大卫的出现,神出鬼没。整段基调恰如其分,大段大段的无对话,以单调重复的背景音乐和人物顿停顿止的动作,特殊的镜头角度来衬托气氛。这段中每个情节既有积累蒙太奇,又有平行蒙太奇的味道,每个部分负责一部分的情绪。

电影的震慑人心因何而来?著名导演谢尔盖.爱森斯坦说过:“镜头绝对不是蒙太奇的一个组成元素。镜头只是蒙太奇的一个细胞。正如细胞群分裂以后会产生另一种现象一样,只是从一个镜头辨证地跳到另一个镜头才有蒙太奇。但是蒙太奇以什么作为它的特性呢?它的特性是冲突,两个彼此相反的片段的冲突。”而对比蒙太奇不正是强调了冲突吗?在游泳池,当大卫求自保,连带把马丁拖入水中时,镜头也跟着进入水下,记录水下发生的事以及从水下看向岸上的情景,交替切换,总共5轮替换,10个镜头,其中4个镜头采用前进式拍摄,逐渐放大大卫的脸和马丁的脚。对比的强烈反差,衬托了人类的自私。岸上人们焦虑的表情被水面扭曲。最后一个镜头,后退式拍摄游泳池,唯留下大卫独自沉在水底,池边众人已经离去,只有同为机器的泰迪熊守候着。这段对比蒙太奇,将人类对机器的冷酷与对人类的维护赤裸裸的刻画出来,这到不是说人们保护同类不好,而是感叹为什么人类在需要机器的时候,就可以不计后果的肆意使用,在不需要了后,就不管不问呢?而相对人类的喜与机器之间的战争新厌旧,却又自私的要求制造出不会变心的机器人,甚至试图把爱的程序刻到机器的硬盘上,以求其付出永远的爱。也许这只是人的本性,对也好,错也好,我们都无力改变。既然无力改变,至少能表达,通过对比蒙太奇来表达的淋漓尽致。
同样的对比蒙太奇还出现在机器屠宰场中,即使废旧机器面对即将来临的死刑,也会产生恐惧,会求饶,会要关掉疼痛感应器,而台下疯狂的观众,却欢呼雀跃,不亦乐呼。不同机器人被绞刑、火刑、五马分尸,一连串的平行蒙太奇,诠释了人类与机器之间的战争
不要机翻哦 手翻吧 分我不会吝啬的

Level of the film is divided into three layers: David was abandoned before - David, after being abandoned - the last day of David and Monica. Then each layer of cis-very natural. From the content point of view, the first layer, Monica, unable to bear the grief of losing her son to start a David; second floor, David dedication to the hope of finding the Blue Fairy, can themselves into real people, in exchange for Monica card love; third layer, centuries later, in the new human beings with the help of David and Monica finally together. The level of the story clear, easy to control the audience's emotions, happiness - sadness - fear - moved. From the point of view, from small to big, the first layer, viewing angle limitations of the home; the second tier, then extended to the social contradictions between man and machine; third floor, overlooking the past from the perspective of a thousand years later, to look at the story. Directors will be a concise but complete narrative of the suture close the meantime, the great accuracy not only guarantee a "snowball" approach to the story from the individual to the collective promotion, from small to large accumulation of the conflict, but also successfully to create an emotional one relaxation, ups and downs.
Even the clips, but also with the emotional. And this sentiment if they can match the mood with the story, it would rely on editors and the director of the superb level and in line with the tacit understanding. When Monica and David is still in the adaptation period has not yet started the program he loved when Monica is suspected, and strange in her heart there is a conflict and a desire for a strong hitting, struggling with . She could not face the son of the pro-health is deteriorating, unable to face the loss of his son's loneliness, but they can not accept the feeling that there is no blood perfusion is not meat machines who, even though this machine is so lifelike. Cope with this strange atmosphere, shot through the glass doors, picture distortion distorted, people's faces have become a terrorist, not natural, Monica at this time to express the fear of the hearts of the machine. There are tea and coffee making, the equipment part of the sound of the heavier collision, David surprised eyes of the close-up, Monica awkward laugh, so pulled the stairs the lens to a rare point of view, highlighting the action Monica know what to do back in the past . In the bed, when a total of only three lenses, the first two were in the two separate close-up, it is interesting that the lens, the characters apart from the changes in eyes without any movements. The third movement of the lens with Monica movement depicts the emergence of David, mobilized. The whole tone appropriately large segment of massive non-dialogue to monotonous, repetitive background music and characters Burton pauses only action, a special camera angles to set off the atmosphere. During both the accumulation montage of each episode, another taste of parallel montage, a part of the emotional charge of each part.

Movies frighten people coming from? Well-known director Sergey. Eisenstein said: "The lens is definitely not an integral element of montage. Lens is just a cell Montage. As the cell population after the division will have a different phenomenon, but from a dialectical jump shot Another lens only montage. but what Montage as its feature before? It is characterized by conflict between two opposite segments of the conflict. "The contrast is emphasized that the conflict is not montage do? In the pool, when David seek to protect themselves, and it gets to when Martin dragged into the water, also entered an underwater camera to record what happened underwater and from the shore to see the underwater scenes, alternating switch, a total of five replacement, 10 a lens, of which four shots using forward-style shooting, and gradually enlarge David's face and Martin's feet. In contrast to the strong contrast between the background of human selfishness. Shore people's anxiety was distorted surface. Finally a camera, filming back-style swimming pool, only to leave David alone, submerged in water, and pool crowd had left, only with the teddy bear while waiting for the machine. Contrast this montage would be callous of human-to-machine with the portrayal of naked human beings out of the maintenance, it does not mean that people are protected to the same place, but lamented why human beings need the time machine, they can wanton reckless use of without the need for the latter, they no longer cared for it? In comparison of human joy and a new war between machines Yanjiu, yet selfish and could not change the requirements to create a robot, or even try to love the procedure carved into the machine's hard disk so that it may pay everlasting love. Perhaps it is just human nature, right Ye Hao, wrong, what we are all powerless to change. Since they can not change, at least to express, by comparing the montage to clearly demonstrated.
The same comparison montage also appeared in the machine slaughterhouse, even if faced with the imminent death of used machines will produce fear, will beg for mercy, will have to turn off the pain sensors, while the audience crazy audience, but cheered, it not Le Call. Different robots have been hanged, burned at the stake, crowd favorite, a series of parallel montage, the interpretation of the war between humans and machines

Films are mainly divided into three levels: David, David before being abandoned after being abandoned, David and monica's final day. Each layer and the nature. Look from content, the first layer, monica because of grief, can lose launched David, Second, David rigid hope to find the blue fairy, will become reality, monica love. Third, in the new millennium, under the help of the human, David finally and monica together. The story, the bright easily control the audience's mood, happiness, sadness, and that touched. From the Angle of view, from the first layer, Angle limitation in the home, Second, human and machine is extended to the social contradictions, Third, from a thousand years later, overlooking the Angle at last. The director will concise but complete narrative close suture, guarantees the twisty, in a "rolling snowball" fashion way by the collective individual stories, conflict, and successful yourselves from create emotional YiZhangYiChi, peaks and valleys.
Even clips, is also a mood. But the mood with stories of emotions can if consistent, it depends on the editor and director of the excellent level and connivance. When the monica and David are still settling, still have not started his love of the program, monica is suspected, strange, deep in her heart has a strong impact to the conflict and the struggle. She couldn't confront kiss the son has not face, body, but lost son alone will not accept no blood perfusion to feelings oThe film's stunned by? Sergey's famed director. Love Stamford said: "absolutely not montage of a camera lens only montage composed element. A cell. As cells division will produce another kind of phenomenon, just like a lens to jump from the differentiation is another shot. But what montage montage as it? It's characteristic is the characteristic of conflict, two opposite fragments of conflict. But isn't it emphasizes the comparative montage conflict? In the swimming pool, when David for the self-preservation, joint into the water, Martin lens also follow into the water, underwater happen and record from underwater to shore, alternately, total 5, 10 shots, including four lens adopts advance type, David's face and gradually amplification of Martin's feet. The strong contrast and comparison of human selfishness foil. The expression on the water by people anxious distortion. Finally, a swimming pool, backward type shooting left alone in the bottom, David all gone, only the pond with machine teddy bear for waiting. The contrast of machine, human montage of cold and the maintenance of human beings, the characterization of naked people not to say, but not similar to protect human in need machines exclamation why when, can use wantonly reckless, without the need for, whether ask? And the relative human war between machine and new old, but also selfish anaerobic demands of the robot will produce change, even tried to love the program to carve the disk to machine the pay everlasting love. Perhaps this is the person's nature, rightly or wrongly, we are unable to change. If unable to change, at least, by comparing the montage.
The same comparative montage also appeared in the machine, even in old abattoir facing imminent death machine, also can produce fear, pain, kill off will beg for mercy, and below the madness of sensors, but the audience, not as well joy triumph. Different robots hanged, stake, chopped, a series of parallel montage and interpretation of the war between human and machine
Question added: don't turn hand machine! I won't stingy. Points
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第1个回答  2010-03-26
Level of the film is divided into three layers: David was abandoned before - David, after being abandoned - the last day of David and Monica. Then each layer of cis-very natural. From the content point of view, the first layer, Monica, unable to bear the grief of losing her son to start a David; second floor, David dedication to the hope of finding the Blue Fairy, can themselves into real people, in exchange for Monica card love; third layer, centuries later, in the new human beings with the help of David and Monica finally together. The level of the story clear, easy to control the audience's emotions, happiness - sadness - fear - moved. From the point of view, from small to big, the first layer, viewing angle limitations of the home; the second tier, then extended to the social contradictions between man and machine; third floor, overlooking the past from the perspective of a thousand years later, to look at the story. Directors will be a concise but complete narrative of the suture close the meantime, the great accuracy not only guarantee a "snowball" approach to the story from the individual to the collective promotion, from small to large accumulation of the conflict, but also successfully to create an emotional one relaxation, ups and downs.
Even the clips, but also with the emotional. And this sentiment if they can match the mood with the story, it would rely on editors and the director of the superb level and in line with the tacit understanding. When Monica and David is still in the adaptation period has not yet started the program he loved when Monica is suspected, and strange in her heart there is a conflict and a desire for a strong hitting, struggling with . She could not face the son of the pro-health is deteriorating, unable to face the loss of his son's loneliness, but they can not accept the feeling that there is no blood perfusion is not meat machines who, even though this machine is so lifelike. Cope with this strange atmosphere, shot through the glass doors, picture distortion distorted, people's faces have become a terrorist, not natural, Monica at this time to express the fear of the hearts of the machine. There are tea and coffee making, the equipment part of the sound of the heavier collision, David surprised eyes of the close-up, Monica awkward laugh, so pulled the stairs the lens to a rare point of view, highlighting the action Monica know what to do back in the past . In the bed, when a total of only three lenses, the first two were in the two separate close-up, it is interesting that the lens, the characters apart from the changes in eyes without any movements. The third movement of the lens with Monica movement depicts the emergence of David, mobilized. The whole tone appropriately large segment of massive non-dialogue to monotonous, repetitive background music and characters Burton pauses only action, a special camera angles to set off the atmosphere. During both the accumulation montage of each episode, another taste of parallel montage, a part of the emotional charge of each part.

Movies frighten people coming from? Well-known director Sergey. Eisenstein said: "The lens is definitely not an integral element of montage. Lens is just a cell Montage. As the cell population after the division will have a different phenomenon, but from a dialectical jump shot Another lens only montage. but what Montage as its feature before? It is characterized by conflict between two opposite segments of the conflict. "The contrast is emphasized that the conflict is not montage do? In the pool, when David seek to protect themselves, and it gets to when Martin dragged into the water, also entered an underwater camera to record what happened underwater and from the shore to see the underwater scenes, alternating switch, a total of five replacement, 10 a lens, of which four shots using forward-style shooting, and gradually enlarge David's face and Martin's feet. In contrast to the strong contrast between the background of human selfishness. Shore people's anxiety was distorted surface. Finally a camera, filming back-style swimming pool, only to leave David alone, submerged in water, and pool crowd had left, only with the teddy bear while waiting for the machine. Contrast this montage would be callous of human-to-machine with the portrayal of naked human beings out of the maintenance, it does not mean that people are protected to the same place, but lamented why human beings need the time machine, they can wanton reckless use of without the need for the latter, they no longer cared for it? In comparison of human joy and a new war between machines Yanjiu, yet selfish and could not change the requirements to create a robot, or even try to love the procedure carved into the machine's hard disk so that it may pay everlasting love. Perhaps it is just human nature, right Ye Hao, wrong, what we are all powerless to change. Since they can not change, at least to express, by comparing the montage to clearly demonstrated.
The same comparison montage also appeared in the machine slaughterhouse, even if faced with the imminent death of used machines will produce fear, will beg for mercy, will have to turn off the pain sensors, while the audience crazy audience, but cheered, it not Le Call. Different robots have been hanged, burned at the stake, crowd favorite, a series of parallel montage, the interpretation of the war between humans and machines
第2个回答  2010-03-26
Films are mainly divided into three levels: David, David before being abandoned after being abandoned, David and monica's final day. Each layer and the nature. Look from content, the first layer, monica because of grief, can lose launched David, Second, David rigid hope to find the blue fairy, will become reality, monica love. Third, in the new millennium, under the help of the human, David finally and monica together. The story, the bright easily control the audience's mood, happiness, sadness, and that touched. From the Angle of view, from the first layer, Angle limitation in the home, Second, human and machine is extended to the social contradictions, Third, from a thousand years later, overlooking the Angle at last. The director will concise but complete narrative close suture, guarantees the twisty, in a "rolling snowball" fashion way by the collective individual stories, conflict, and successful yourselves from create emotional YiZhangYiChi, peaks and valleys.
Even clips, is also a mood. But the mood with stories of emotions can if consistent, it depends on the editor and director of the excellent level and connivance. When the monica and David are still settling, still have not started his love of the program, monica is suspected, strange, deep in her heart has a strong impact to the conflict and the struggle. She couldn't confront kiss the son has not face, body, but lost son alone will not accept no blood perfusion to feelings of machines without meat, though the machine was so lifelike. With this kind of peculiar atmosphere, lens through glass door, screen distorted, people's face, not natural, terrorism in order to express monica heart fear of machine. And when the coffee, instruments, part of the collision of voice surprised eyes a close-up of David, monica awkward smile, lens, then the stairs with rare Angle, monica. Back past bewildered In the bed, with a total of three lens, the former two to two separate is features, interestingly, lens, characters, but look no body movement. The third lens with monica mobile and mobile, depicting the illusive, David. The whole period, the large section of the proper tone without dialogue, in the background music and repetitive characters of action, pause at the special camera Angle to foil atmosphere. This section has accumulated in each plot, and parallel montage of every part, the montage taste for part of the mood.

The film's stunned by? Sergey's famed director. Love Stamford said: "absolutely not montage of a camera lens only montage composed element. A cell. As cells division will produce another kind of phenomenon, just like a lens to jump from the differentiation is another shot. But what montage montage as it? It's characteristic is the characteristic of conflict, two opposite fragments of conflict. But isn't it emphasizes the comparative montage conflict? In the swimming pool, when David for the self-preservation, joint into the water, Martin lens also follow into the water, underwater happen and record from underwater to shore, alternately, total 5, 10 shots, including four lens adopts advance type, David's face and gradually amplification of Martin's feet. The strong contrast and comparison of human selfishness foil. The expression on the water by people anxious distortion. Finally, a swimming pool, backward type shooting left alone in the bottom, David all gone, only the pond with machine teddy bear for waiting. The contrast of machine, human montage of cold and the maintenance of human beings, the characterization of naked people not to say, but not similar to protect human in need machines exclamation why when, can use wantonly reckless, without the need for, whether ask? And the relative human war between machine and new old, but also selfish anaerobic demands of the robot will produce change, even tried to love the program to carve the disk to machine the pay everlasting love. Perhaps this is the person's nature, rightly or wrongly, we are unable to change. If unable to change, at least, by comparing the montage.
The same comparative montage also appeared in the machine, even in old abattoir facing imminent death machine, also can produce fear, pain, kill off will beg for mercy, and below the madness of sensors, but the audience, not as well joy triumph. Different robots hanged, stake, chopped, a series of parallel montage and interpretation of the war between human and machine
第3个回答  2010-03-30
Films are mainly divided into three levels: David, David before being abandoned after being abandoned, David and monica's final day. Each layer and the nature. Look from content, the first layer, monica because of grief, can lose launched David, Second, David rigid hope to find the blue fairy, will become reality, monica love. Third, in the new millennium, under the help of the human, David finally and monica together. The story, the bright easily control the audience's mood, happiness, sadness, and that touched. From the Angle of view, from the first layer, Angle limitation in the home, Second, human and machine is extended to the social contradictions, Third, from a thousand years later, overlooking the Angle at last. The director will concise but complete narrative close suture, guarantees the twisty, in a "rolling snowball" fashion way by the collective individual stories, conflict, and successful yourselves from create emotional YiZhangYiChi, peaks and valleys.
Even clips, is also a mood. But the mood with stories of emotions can if consistent, it depends on the editor and director of the excellent level and connivance. When the monica and David are still settling, still have not started his love of the program, monica is suspected, strange, deep in her heart has a strong impact to the conflict and the struggle. She couldn't confront kiss the son has not face, body, but lost son alone will not accept no blood perfusion to feelings oThe film's stunned by? Sergey's famed director. Love Stamford said: "absolutely not montage of a camera lens only montage composed element. A cell. As cells division will produce another kind of phenomenon, just like a lens to jump from the differentiation is another shot. But what montage montage as it? It's characteristic is the characteristic of conflict, two opposite fragments of conflict. But isn't it emphasizes the comparative montage conflict? In the swimming pool, when David for the self-preservation, joint into the water, Martin lens also follow into the water, underwater happen and record from underwater to shore, alternately, total 5, 10 shots, including four lens adopts advance type, David's face and gradually amplification of Martin's feet. The strong contrast and comparison of human selfishness foil. The expression on the water by people anxious distortion. Finally, a swimming pool, backward type shooting left alone in the bottom, David all gone, only the pond with machine teddy bear for waiting. The contrast of machine, human montage of cold and the maintenance of human beings, the characterization of naked people not to say, but not similar to protect human in need machines exclamation why when, can use wantonly reckless, without the need for, whether ask? And the relative human war between machine and new old, but also selfish anaerobic demands of the robot will produce change, even tried to love the program to carve the disk to machine the pay everlasting love. Perhaps this is the person's nature, rightly or wrongly, we are unable to change. If unable to change, at least, by comparing the montage.
The same comparative montage also appeared in the machine, even in old abattoir facing imminent death machine, also can produce fear, pain, kill off will beg for mercy, and below the madness of sensors, but the audience, not as well joy triumph. Different robots hanged, stake, chopped, a series of parallel montage and interpretation of the war between human and machine
Question added: don't turn hand machine! I won't stingy. Points
第4个回答  2010-03-26
Film level divided mainly into three layers :David has been abandoned before, david was jilted. From the content, the first floor,
Monica for not lose their grief,Started david ;The second floor, david dedication to find Blue fairy,Her into a reality,For monica love ;The third floor, a thousand years later,David finally and monica together.Story, the level of controlthe crowd,Happiness - sadness - fear - moved.From the point of view, from small to big, the first layer, viewing angle limitations of the home; the second tier, then extended to the social contradictions between man and machine; third floor, overlooking the past from the perspective of a thousand years later, to look at the story. Directors will be a concise but complete narrative of the suture close the meantime, the great accuracy not only guarantee a "snowball" approach to the story from the individual to the collective promotion, from small to large accumulation of the conflict, but also successfully to create an emotional one relaxation, ups and downs.
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