这篇课文没有难度,跟工业设计有关的
这是课文的最后一部份,前部分和中间部分也在待解决,劳驾大侠一并翻译
小女子万分感谢!!!明天要交的,在线等!!!
This general lack of appreciation of Victorian sculpure has complex origins. It may be
inevitable that one generation shuold react against the values of their fathers; there are
,furthermore, problems even today over the appreciation of so finite an art as sculpture in
romantic aesthetics, which indeed affected the nineteenth century as well as the twentieth.
For instance, John Ruskin is generally silent in the face of the sculpture of his age ,an
art that was preponderantly neo-classical even as late as the 1860s an 1870s if in a
somewhat watered-down vein ,and it was probably this latter aspect that put him off. He
made rare comments such as :" ...the state of sculpture in modern England , as compared ,
opposed to bright and fameful life ." There were one or two individual exceptions :
Marochetti was a " a thoroughly great sculptor ", other critics less pre-eminent than
Ruskin were less inhibited ,as we shall see ,so possibily it should be set down as a
critical lacuna peculiar to him.
Beyond the intellectual issues ,so to speak ,there is the problem for present-day
appreciation that the displaced Foley work from Cambridge typifies : the object itself may
have shifted from our physical gaze as much as from our ctitical focus .It is only by
chance that a bust of Queen Victoria by Matthew Noble , originally in the Infirmary at
Birminghan, has found a happy home at Wightwick Manor , near Wolverhampton, and that two
busts by Joseph Durham A.R.A. of Chaucer and Milton ( both dated 1870 ) are for the time
being in a hotel at Bedford . While these are relatively minor works that are simply
displaced, the huge extent of contemporary writing on Victorian sculpture should make us
wonder what sort of phenomenon it was concerned with . Moving away from Ruskin ( a
sometimes salutary exercise ) to those writers whose principles an livelihoods were more
closely in line with was happening at the time , we begin to become aware that implicit in
print is a whole area of art ( such status was emphatically claimed for it, even if some
thought it bad art ), of an extent still unknown ,whose masterpieces are only indicated
through the written words : the works themselves have moved on either to temporary oblivion
or to permanent destruction .
要人工的,流畅的,别给我整个软件就粘上了!!
还有文章的前两部分, 也提出问题了在待解决中,悬赏都是100分
希望达人一并翻译
在线等,今晚一定要解决了它!!!
参考资料：Google翻译，仅供参考